
Navigating the deep currents of the literary world can sometimes prove just as disorienting as Captain Nemo's underwater explorations! The emblematic work of Jules Verne, "Twenty Thousand Leagues Under the Sea," functions like a time machine transporting us into the abyss of scientific imagination.
One of the most captivating debates stirring our steampunk circles concerns the classification of this Vernian masterpiece. Today, dear readers, we will weigh anchor and set sail on the sometimes choppy waters of this fundamental question: can "Twenty Thousand Leagues Under the Sea" be considered authentic steampunk?
Understanding Steampunk: Anatomy of a Retrofuturist Movement

Definition of Steampunk
Before plunging into the ocean depths to explore Jules Verne's work, we must first understand the cultural machinery that is steampunk. This subgenre of science fiction and fantasy emerged at the end of the 20th century, like a revolutionary mechanism escaped from the workshops of literary innovation.
Steampunk is characterized by an aesthetic rooted in the Victorian era, that fascinating period when steam was the beating heart of our industrial civilization. Imagine, dear readers, a literary steam engine propelling our dreams toward alternative futures!
The theme of retrofuturism also applies to Verne's other works, such as Around the World in 80 Days and Journey to the Center of the Earth. The author laid the foundations of the genre, as did H.G. Wells — these two clockmakers of literary anticipation.
Analysis of the Vernian Work: Dissecting the Gears
The universe of "Twenty Thousand Leagues Under the Sea" functions like a complex narrative machinery, each element of which deserves our attention as literary watchmakers:
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Coming-of-age novel: The novel explores the seas aboard vessels such as the American frigate Abraham Lincoln and the submarine Nautilus. Exploration and voyage gave the narrative a spectacle unprecedented for its time, like a perfectly calibrated mechanism of wonder. The characters' entry into an unknown world — here, the ocean depths — showcases the dream machine that is Jules Verne's imagination.
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Scientific foundation and anticipation: Verne draws on the scientific knowledge of his era, like the gears of a clock, to describe the marine environment. He anticipates possibilities still unexplored, such as descending to the depths of the ocean — a true plunge into the technological unknown.
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Precise description of oceanography: Verne provides detailed information on these fields, subtly channeled through Pierre Aronnax, the professor character from the Paris Museum. This scientific authority functions like the regulating balance of this narrative watch.
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Technological anticipation: The novel describes a submarine far more advanced than anything existing at the time, powered by electricity and using marine mineral resources. A true pioneering machine!
Steampunk in Twenty Thousand Leagues Under the Sea: Misleading Appearances

The mere presence of a Victorian aesthetic is not enough to define a story as steampunk, dear readers! Yet in "20,000 Leagues Under the Sea," we observe the technology and architecture of the 19th century functioning like the gears of a fascinating narrative mechanism.
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The Nautilus: This is the most obvious element that could be considered steampunk in the book. This fantastic submarine, a true jewel of mechanical precision built by Captain Nemo, is powered by electricity — cutting-edge technology for the 19th century! Its design and capabilities constitute an absolutely fascinating avant-garde machinery.
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The interior of the Nautilus: It is described as a blend of Victorian luxury and industrial design, evoking the aesthetic we so cherish in our steampunk decorations.
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The character of Captain Nemo: His nature as a brilliant, rebellious inventor evokes our steampunk heroes! His technological innovations, his resistance to contemporary society, and his isolated life underwater are elements we find in our cosplays of rebel engineers.
Analysis of the Disney Film: A Mechanically Different Vision
A Different Vision of Technology
The way this visionary writer envisions technology differs considerably from what is typical of steampunk, like a clockwork mechanism running on different principles. In his works, technology generally functions as a positive machine, leading to adventure and discovery. In contrast, our beloved steampunk often presents a more ambivalent vision, showing both the promises and dangers of these wonderful mechanisms!
Disney's cinematic adaptation certainly amplified the elements we now identify as steampunk. The design of the Nautilus in the film, with its steam pipes and complex mechanisms, accentuates the industrial aesthetic we find in our steampunk accessories.
The Nautilus: More Than a Submarine, a Mechanical Masterpiece
The Nautilus, that mechanical marvel commanded by Captain Nemo, stands as the most emblematic element of a proto-steampunk aesthetic in "Twenty Thousand Leagues Under the Sea." With its appearance of a deep-sea monster, its luxurious interior worthy of our finest steampunk decorative objects, and its advanced technologies, it represents a fascinating fusion of the old world and the new.
Absence of Essential Steampunk Elements: The Missing Gears

However, dear steam enthusiasts, we must exercise discernment in this mechanical-literary analysis:
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First, steampunk implies an alternative to history — an uchronia in which steam energy enabled massive technological advances. "Twenty Thousand Leagues Under the Sea" presents no such historical alternative; it unfolds within the temporal continuity of its own era.
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Second, steampunk comes with that characteristic aesthetic we find in our steampunk women's clothing and our steampunk men's clothing — a sophisticated blend of science fiction and Victorian design. This specific aesthetic is absent from Verne's original work.
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Finally, steampunk functions as a critical machine, offering a sharp look at the impact of technology on society. This analytical perspective is absent from the Disney work, which favors wonder over social critique.
Jules Verne: Father of Steampunk or Influential Precursor?
The universe of Jules Verne has undeniably influenced our steampunk movement, like a perfectly oiled mechanism of inspiration! His works feature fantastic machines, extraordinary adventures, and scientific discoveries — all elements we find in our contemporary creations.
However, his stories generally take place in his contemporary era (the 19th century), rather than in an alternative reality where history evolved differently. This nuance constitutes an essential gear in the definitional machinery of steampunk!
A Precursor, but Not the Father of Steampunk
In conclusion, dear readers, Jules Verne functions as an important precursor of our movement — a key piece in the literary clockwork that led to steampunk. His universe continues to inspire contemporary creators, from our steampunk jewelry to our DIY projects.
However, to consider Jules Verne the "father" of steampunk would be reductive and inaccurate. Our movement has its own characteristics and nuances, functioning as an independent machine that transcends the Vernian universe. It would therefore be more appropriate to regard Jules Verne as a major influence — a fundamental gear in the genesis of our retrofuturist aesthetic.
Cultural Enrichment: Resources to Deepen Your Understanding
If you wish to deepen your understanding of Jules Verne, two figures could enrich your intellectual exploration, like guides through this complex cultural machinery:
Christian Chelebourg, professor of French and comparative literature, functions as a true mechanism of literary analysis. His expertise could provide you with valuable perspectives on Verne's work.
Valérie Lesort, a French artist recognized for her work in opera, created a show based on "Twenty Thousand Leagues Under the Sea." Her artistic approach offers a contemporary vision of this classic work — like a creative time machine!

Conclusion: A Wonderful Work, but Not Steampunk
Although Jules Verne's book and Disney's film "Twenty Thousand Leagues Under the Sea" are fascinating works — true dream machines equipped with advanced technologies for their era — they do not meet the rigorous criteria of our beloved steampunk.
They lack the historical alternative, the specific aesthetic, and the social critique that constitute the essential gears of our movement. These elements, like a complex clockwork mechanism, interlock to create the authentic essence of steampunk.
Nevertheless, let us recognize these works for their status as inspiring precursors — those literary mechanisms that helped forge our retrofuturist imagination. They remain essential references for understanding the genesis of our aesthetic, while retaining their own identity within the pantheon of anticipation literature.
Explore our steampunk product selection to discover how this authentic aesthetic manifests in our contemporary creations! For remember, dear steam enthusiasts, in the steampunk universe, we do not simply create objects: we design manifestos of mechanical beauty!
Sources and References
- Verne, Jules. "Twenty Thousand Leagues Under the Sea" (1870)
- Historical documentation on the evolution of the steampunk genre
- Comparative analyses between scientific anticipation and steampunk
- Filmographic studies of the Disney adaptation (1954)
- Archives of the Musée des Arts et Métiers de Paris
Eugénie Vaporette
Consultant curator in steampunk aesthetics
Graduate in the history of Victorian technologies







